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Musical Semiotics Revisited
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952-5431-03-7
Musical Semiotics Revisited
Edited by Eero Tarasti
Semiotic Society of Finland & International Semiotics Institute at Imatra & Department of Musicology, University of Helsinki
Acta Semiotica Fennica XV. Approaches to Musical Semiotics 4. Studia Musicologica Universitatis Helsingiensis IX
Helsinki 2003, xviii + 667 pp.
Edited by Eero Tarasti
Semiotic Society of Finland & International Semiotics Institute at Imatra & Department of Musicology, University of Helsinki
Acta Semiotica Fennica XV. Approaches to Musical Semiotics 4. Studia Musicologica Universitatis Helsingiensis IX
Helsinki 2003, xviii + 667 pp.
Musical semiotics, as a new discipline within musicology and general semiotics, has become in recent years an internationally accepted paradigm. This anthology evidences the enthusiastic reception of musical semiotics, as shared by young scholars in that field. The present essays give a rich global perspective on the new science, ranging from musical performance, absolute music to programs, from liturgy to music videos, from chora to icons, from Wagner to Gubaidulina.
